The Soliloquies of Shakespeares Hamlet - To be or not to be Soliloquy

The â€Å"To be or not to be† Soliloquy in Hamlet      Ã‚  Ã‚   One soliloquy stands out above the others in William Shakespeare’s Hamlet. Of the seven soliloquies by the protagonist, the â€Å"To be or not to be† soliloquy is universally recognized as superior to the others. This essay considers this most famous soliloquy.    Marchette Chute in â€Å"The Story Told in Hamlet† describes just how close the hero is to suicide while reciting his most famous soliloquy:      Hamlet enters, desperate enough by this time to be thinking of suicide. It seems to him that it would be such a sure way of escape from torment, just to cease existing, and he gives the famous speech on suicide that has never been worn thin by repetition. â€Å"To be, or not to be . . .† It would be easy to stop living.    To die, to sleep; No more. And by a sleep to say we end The heartache and the thousand natural shocks That flesh is heir to . . .    But Hamlet has never succeeded in deceiving himself, and he cannot do so now. . . . [He] will not . . . be able to kill himself. He has thought too much about it to be able to take any action. (39)    Considering the context of this most notable soliloquy, the speech appears to be a reaction from the determination which ended the â€Å"rogue and peasant slave† soliloquy. In fact, in the Quarto of 1603 the â€Å"To be† speech comes BEFORE the players’ scene and the nunnery scene – and is thus more logically positioned to show its emotional connection to the previous soliloquy (Nevo 46). Lawrence Danson in the essay â€Å"Tragic Alphabet† discusses the most famous of soliloquies as involving an â€Å"eternal dilemma†:      The problem of time’s discrediting effects upon human actions and intentions ... ...evin, Harry. â€Å"An Explication of the Player’s Speech.† Modern Critical Interpretations: Hamlet. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. Rpt. from The Question of Hamlet. Oxford: Oxford University Press, 1959.    Nevo, Ruth. â€Å"Acts III and IV: Problems of Text and Staging.† Modern Critical Interpretations: Hamlet. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. Rpt. from Tragic Form in Shakespeare. N.p.: Princeton University Press, 1972.    Rosenberg, Marvin. â€Å"Laertes: An Impulsive but Earnest Young Aristocrat.† Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Masks of Hamlet. Newark, NJ: Univ. of Delaware P., 1992.    Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/hamlet/full.html